![]() An accompanying book of photos and sketches would be something to treasure. The cutting-edge digital effects allow every last prop to move and metamorphose with balletic grace Stuart Craig’s production design is, as ever, a marvellous survey of historic architectural styles, and the dresses are so fabulous they overshadow the elves and dragons. The sequel to 2016’s Fantastic Beasts and Where to Find Them – or, depending on how you look at it, the prequel to the Harry Potter series – overflows with imagination and technical, well, wizardry. Film review: Stan & Ollie is ‘a fine bromance’ Film review: If Beale Street Could Talk Considering that JK Rowling’s books have made several zillion pounds and her films have made several zillion more, it would take a lot of gall to read one of her screenplays and say, actually, could you cut 50 pages? But her latest ‘Wizarding World’ instalment, Fantastic Beasts: The Crimes of Grindelwald, would have been improved if someone had said just that.
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